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・ Ernst Moro
・ Ernst Mosch
・ Ernst Motzfeldt
・ Ernst Munzinger
・ Ernst Märzendorfer
・ Ernst Möller
・ Ernst Müller
・ Ernst Münch
・ Ernst Münch (musician)
・ Ernst Nagelschmitz
・ Ernst Krankemann
・ Ernst Kraus
・ Ernst Krause
・ Ernst Krebs
・ Ernst Kreidolf
Ernst Krenek
・ Ernst Krenkel
・ Ernst Krenkel Observatory
・ Ernst Kretschmer
・ Ernst Kretschmer (linguist)
・ Ernst Kreuder
・ Ernst Krieck
・ Ernst Kris
・ Ernst Krogius
・ Ernst Kruse
・ Ernst Kube
・ Ernst Kummer
・ Ernst Kunwald
・ Ernst Kupfer
・ Ernst Kuppinger


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Ernst Krenek : ウィキペディア英語版
Ernst Krenek
Ernst Krenek (August 23, 1900December 22, 1991) was an Austrian, later American, composer of Czech origin. He explored atonality and other modern styles and wrote a number of books, including ''Music Here and Now'' (1939), a study of Johannes Ockeghem (1953), and ''Horizons Circled: Reflections on my Music'' (1974). Krenek wrote two pieces using the pseudonym Thornton Winsloe.
==Life==
Krenek was born in Vienna (then in Austria-Hungary) as Ernst Křenek ((:ˈkr̝ɛnɛk)) as the son of a Czech soldier in the Austro-Hungarian army. He studied there and in Berlin with Franz Schreker before working in a number of German opera houses as conductor. During World War I, Krenek was drafted into the Austrian army, but he was stationed in Vienna, allowing him to go on with his musical studies. In 1922 he met Alma Mahler, widow of the late Gustav Mahler, and her daughter, Anna, to whom he dedicated his Symphony No. 2, and whom he married in March 1924. That marriage ended in divorce before its first anniversary.
At the time of his marriage to Anna Mahler, Krenek was completing his Violin Concerto No. 1, Op. 29. The Australian violinist Alma Moodie assisted Krenek, not with the scoring of the violin part, but with getting financial assistance from her Swiss patron Werner Reinhart at a time when there was hyper-inflation in Germany. In gratitude, Krenek dedicated the concerto to Moodie, and she premiered it on 5 January 1925, in Dessau. Krenek’s divorce from Anna Mahler became final a few days after the premiere. Krenek did not attend the premiere, but he did have an affair with Moodie, which has been described as "short-lived and complicated". He never managed to hear her play the concerto, but he did "immortalize some aspects of her personality in the character of Anita in his opera ''Jonny spielt auf''". ''Jonny'', his 'jazz opera' completed in 1926, was an enormous success across Europe and made Krenek a household name for several years; there was even a brand of cigarettes, still on the market today in Austria, named "Jonny".〔Bischof and Pelinka 2003, 109.〕 Krenek himself became uncomfortable with this success though, as his musical colleagues criticised the commercialisation of his music, and shortly afterwards changed his compositional direction radically.
The jazz-influenced score of ''Jonny spielt auf'' and its central character of a black jazz musician (who is also seen womanising and stealing a priceless violin) brought Krenek the opprobrium of the nascent Nazi Party; the image of Jonny was distorted to form the centrepiece of the poster advertising the ''Entartete Musik'' exhibition of so-called 'degenerate' music in 1938. Krenek was frequently named as a Jewish composer during the Third Reich, although he was not, and was intimidated by the regime until his emigration; on March 6, 1933, one day after the election in which the Nazis gained control of the Reichstag, Krenek's incidental music to Goethe's ''Triumph der Empfindsamkeit'' was withdrawn in Mannheim, and eventually pressure was brought to bear on the Vienna State Opera, which cancelled the commissioned premiere of ''Karl V''.
In 1938 Krenek moved to the United States, where he taught music at various universities, the first being Vassar College. He later taught at Hamline University in Saint Paul, Minnesota from 1942 to 1947. There he met and married his third wife, his student and composer Gladys Nordenstrom. He became an American citizen in 1945. He later moved to Toronto, Canada, where he taught at The Royal Conservatory of Music during the 1950s. His students included Milton Barnes, Lorne Betts, Roque Cordero, Samuel Dolin, Robert Erickson, Halim El-Dabh, Richard Maxfield, Will Ogdon, and George Perle. He died in Palm Springs, California, where he had lived since 1966.〔(Wechselrahmen, Three Sacred Pieces, Echoes from Austria'', var. composers (Krenek on "Echoes"), Orion Master Recordings ORS 76246, liner notes )〕 In 1998 Gladys Nordenstrom founded the Ernst Krenek Institute; in 2004 the private foundation moved from Vienna to Krems, Austria.

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